Mariupolis 2 by Mantas Kvedaravičius at the seventy fifth Competition de Cannes
WEBWIRE – Friday, Might well also 13, 2022
As we know, the Lithuanian filmmaker Mantas Kvedaravičius, who directed Barzakh (2011), Mariupolis (2016) and Parthenon (2019), was as soon as captured and murdered by the Russian navy in Mariupol in early April. His fiancée, Hanna Bilobrova, who was as soon as with him at the time, was as soon as in a region to raise support the photos filmed there and edited it with Mantas editor Dounia Sichov. The film is entitled Mariupolis 2, it was as soon as very vital to gift it, we added it.
Mariupolis 2 will likely be screened on Thursday, Might well also 19 within the Buñuel Theater at 11: 30 am and on Friday, Might well also 20 at 11: 00 am within the Agnès Varda Theater for the clicking.
In 2022, Mantas Kvedaravičius went support to Ukraine, within the Donbass, at the center of the war, to be with the oldsters he had met and filmed in 2014 and 2015. Following his death, his producers and collaborators fill attach all their energy to continue transmitting his work, his imaginative and prescient, his motion photographs. Also a PhD in anthropology Mantas Kvedaravičius wished to testify as a filmmaker « as a ways as conceivable from the agitation of the media and the politicians ». With huge power and sensitivity, Mariupolis 2 depicts existence because it continues amidst the bombing and it reveals pictures that bring both tragedy and hope.
MARIUPOLIS 2 (1h45min)
A film by Mantas Kvedaravičius co-directed by Hanna Bilobrova
Produced by: Uljana Kim, Mantas Kvedaravičius and Hanna Bilobrova, Nadia Turincev and Omar El Kadi, Thanassis Karathanos
Attain you know what’s most unheard of about Mariupol? None of it inhabitants feared death, even when it was as soon as there. Loss of life was as soon as already gift and no person desired to die to no avail. People supported one every other at the wretchedness of their lives. They smoke and chatted exterior, in spite of the bombs. There wasnt any money left and existence had change into too immediate to be remembered, so folks had been impart material with what that they had and pushed their limits. There now no longer was as soon as any previous or future, no judging, no implying the relaxation. It was as soon as heaven in hell, the mild wings of the butterfly fluttering nearer and nearer to one every other, the scent of death in its uncooked dimension. It was as soon as the heartbeat of existence. (Capturing notes)
Production companies: Studio Uljana Kim (Lithuania), Extimacy Films (Lithuania), Easy Riders Films (France), Twenty Twenty Imaginative and prescient (Germany)
Editing: Dounia Sichov and Hanna Bilobrova
Sound designate: Nicolas Becker
Sound bettering and mixing: Erwan Kerzanet, Rana Eid, Possess Walker
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